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Pambo “Poprocks”

discorama

wed 7/25/2007

 
Pretty in pink.

Like Avril Lavigne and Kelly Clarkson, Alejandra Ruiz, aka Pambo, excels at carefree anthems for pre-teens and anyone in the mood for puppy love. Along with fellow Mexicans Nikki Clan and Belinda, Pambo's brand of rock is unashamedly light and glossy which may belie both her musical potential and artistic intentions.

Recruited by Sony BMG while still a student at Mexico City's prestigious Fermatta Academy (the alma mater of Natalia Lafourcade and Joselo of Cafe Tacvba), Ruiz took her stage name from a slang term for tomboys. On her new debut, Poprocks, there's traces of both her pedigree and tough pose. Mostly, however, it's a collection of friendly melodies and gently played rock numbers.

Produced by the very successful Aureo Baqueiro, the album's full range is on display in the current single, Tras Nubes (Behind Clouds) where an acoustic guitar intro sets the stage for Ruiz' confident, casual singing – a sometimes raspy but always full-bodied pop voice. After an appropriately cheesy electric guitar solo over an organ bed, the track teases with a cascading drum and vocal break. But just when things get interesting it's back to basics for the big finish. Good times. (Fans of Motel's Dime Ven will recognize the structure – if not Baqueiro's fingerprints.)

On the remaining tracks, Pambo's similarities to Spanish superstars La 5a Estacion will likely help this first outing make the rounds while mature compositions like "Mejor Que Tú Mintiendo" and "Perdón" should put her on solid footing for the next round. Perhaps, by then, she'll be more than just another rocker who pops.

Recommended tracks (iTunes)

 
 

R. Kelly, Kat DeLuna, Young Jeezy, Pambo and Funky C.

the music press

tue 5/29/2007

 
Cuff yo chick. A collage of R. Kelly, Kat DeLuna, Young Jeezy, Pambo and Funky C.
  • “The R in R&B is back” on R. Kelly’s ninth album, Double Up, according to BBC 1Xtra. Entertainment Weekly gives the album a "C" for its silly, sexalicious lyrics and concludes that “the guy who brought you the nutso R&B opera Trapped in the Closet has completely lost whatever was left of his dirty mind.”
  • Nineteen-year-old Dominicana Kat DeLuna's debut single, Whine Up, "offers ultimate seasonal sizzle – over the airwaves, on the beach, down the highway and across dancefloors,” raves Billboard.com. “To say she’s a crossover artist is an understatement,” gushes Starpulse.
  • Young Jeezy is cooling things down with his latest mixtape, Young Jeezy Presents U.S.D.A.: Cold Summer. The Los Angeles Times complains: “U.S.D.A.’s simplistic rhymes about blind ambition amount to nothing but a quasi-Republican, pull-yourself-up- by-your-bootstraps ideology on crack.” Despite its shortcomings, Hip Hop DX isn't writing it off: “[T]he album isn’t completely worthless. There’s enough on here that you can bump in the whip, or that’d be fine to hear at the club.”
  • Poprocks, the debut album by 21-year-old Mexican singer-songwriter Pambo, is full of “poppy, radio-friendly tracks with rock edges, reminiscent of Avril Lavigne and decidedly youth-friendly,” notes Billboard.biz. Mexico City newspaper El Economista calls the Aureo Baqueiro-produced release “fresh and passionate," even though it emerged from the "wasteland that is Mexican pop music."
  • Funky C, ex-singer of Chilean cult faves Los Tetas, debuts his solo album Joya. Newsday.com credits the multi-talented Funky C for stopping short of “overwhelming this largely fun-filled album with pretension.”