Last year, New York duo Xtreme rode their hit track “Shorty, Shorty” to the top of the Latin charts. This year, Steve Styles and Danny D are set to drop more bilingual bachata jams with their follow-up, Chapter Dos.

We got a hold of the cornrowed crooners before they got on a plane and talked to them about their new album, their influences and their love for the shorties.

What's up with your new album?

Steve Styles: We are proud that we’re about to release Chapter Dos. We worked really hard on this album to give it our feeling and sound, ese sonido urbano de Xtreme. We feel it’s the next chapter of many more Xtreme albums to come.

Danny D: En este disco tenemos muchas canciones para las “shorties” que siempre nos apoyan cuando estamos sobre la tarima en los conciertos, comprando nuestros discos o con sus mensajes en MySpace y en Facebook.

What will we hear on Chapter Dos?

Danny: We've got thirteen songs on Chapter Dos and a bonus track that you can get if you the album buy online. Son canciones con batacha, sentimiento y mucho amor.

Steve: En nuestras canciones hablamos de como nos sentimos, de lo que nos pasa en nuestras vidas y también en nuestra carrera como cantantes. Hasta tenemos una canción dedicada a nuestras fans, se llama “Súper Fanática.” Lyrically, we mix our languages – Spanish and English – more this time around. Desde el titulo que es Chapter Dos y también lo van a escuchar en muchas caniones. Somos Dominicanos that grew up in the Bronx so what we sing is a reflection of our upbringing.

Growing up in The Bronx, why did you choose bachata instead of hip-hop or R&B?

Steve: Nosotros crecimos con la bachata y música Latina en nuestras casas con nuestras familias, esas son nuestras raíces musicales que nos conectan con lo que somos Latinos del Caribe. But we also grew up listening to R&B and hip hop so there’s that urban flavor in our sound and lyrics as well.

Danny: Nos encanta lo que hacen nuestros hermanos Aventura, Toby Love and Óptimo. We've got mad respect and love for them, we are all taking bachata to another level. Plus, we also look up to what Usher and Justin Timberlake do on their albums and onstage.

What's the difference between Chapter Dos and your last album, Haciendo Historia?

Danny: We are more mature as singers and performers. So when we went into the studio, Steve and I were more precise in what we wanted. We've had the opportunity to perform a ton since Haciendo Historia, so we know what our fans want. Así que grabamos canciones con nuestras fans en mente. Les queremos dar lo mejor de Xtreme.

Haciendo Historia went platinum. Do you feel any pressure to match that success?

Steve: At first we felt a little pressure, we can’t deny that. But as we kept working on the album, we realized how much fun is to be doing what we do: writing songs, recording them and performing them live for our fans, las shorties.

Danny: Para nosotros grabar un disco es como ir la escuela, es hacer la tarea para tener la recompensa después que es el recreo, el subir a la tarima a cantar y poder compartir nuestra música con nuestras fans.

Speaking of “the shorties,” there are videos on the Internet of you surprising your fans with phone calls. How did the idea come about?

Steve: Yeah! We try to stay in touch with las shorties, the girls, as much as we can. We check out MySpace messages and comments they send us. They can still do it the old-fashioned way, too, by calling our hotline. So one day, we decided to get their digits and call them. Those calls are for real, the fans didn’t know were calling them, it’s a way to show our love to them. We are going to keep calling them by surprise to watch out!

With so much screaming coming from the phone, do you ears hurt after those calls?

Danny: [Laughs.] Nah, the girls are super sweet. Besides, ellas necesitan guardar algunos gritos para los conciertos! [Laughter.]

Which song do you like performing most for your shorties?

Steve: That song would definitely be “Shorty, Shorty.” Esa fue la canción que nos dio a conocer. Con “Shorty, Shorty” hicimos historia. [Laughter.] It’s the song that gave us the opportunity to share our music with people all over the world.

Danny: We always sing it like it’s the first time we perform it. The girls all over know it’s their song and we can’t help but to try to make them happy, por las shorties hablamos hasta Francés.

Steve: We are already performing our next single, “Through That Window (Enamorado Estoy),” live, and we get the chills when we realize the girls already know the lyrics and the album isn’t even out yet!

When does the album drop?

Danny D: Chapter Dos comes out on November 25, 2008. So go buy it as soon as it drops!

Long before Aventura, Monchy y Alejandra and Xtreme were tearing up the charts in the U.S. and Latin America, the Dominican-born Bachata was considered too ghetto – and too damn sad – to get radio play.

Often referred to as the “música de amargue” (the music of bitterness) old school Bachata told tragic stories of poverty, alcoholism and prostitution in the Dominican Republic. A natural progression of the bolero, merengue and salsa rhythms that took off in the late 1960s, Bachata was originally only available via pirated tapes of artists like Leonardo Paniagua and Luis Días – not unlike today's rap mix tapes.

It wasn't until the 1980's when artists like Luis Segura and Juan Luis Guerra began taking Bachata in a more romantic direction that the genre was granted both radio play and an aboveground avenue to commercial success. It wasn't long before its super sweet melodies, sweeping electric guitar arpeggios and bouncy güira and bongo rhythms made Bachata not just a national sensation, but an international hit.

In 1992, Guerra’s Bachata Rosa won a Grammy Award for Best Traditional Tropical Latin Album, a clear sign that the genre had gone from “ashy to classy.” And as with other Latin styles, the accompanying dance also caught on, inspiring couples from Washington Heights to Buenos Aires to get close and, perhaps, a little dirty.

It also inspired Dominican Americans to leave their distinctly urban mark on this very traditional sound. With the backing of radio stations like New York City's La Kalle, urban Bachata, which adds R&B vocal stylings, bilingual lyrics and electronics to the mix, would eventually replace its antecedents.